A figurehead fit for pilgrimage

In this drawing the ship’s bow is led by a particularly expressive dragon’s head. The entire boat takes on a serpentine appearance. The boat’s hull is formed out of a complex series of defined ink brushstrokes and washes. As before in the body of text golds are used in conjunction with ink washes producing greys, browns and blacks. Pause to consider the importance of gold as a colour which is privileged over black. Colour is used by the maker(s) to guide our attention.

The swirling depiction of the ocean conjures an image of the sea’s rough and unforgiving nature. The reader can however find the support of their faith guiding you through these trials and tribulations in this boat. The boat, its shape, style and form position religion, in this case Islam, as a vessel of support carrying you through hardship. This reminds the reader of the importance of religion to the daily life of ordinary people. The ship’s fantastical form romanticises the journey and impresses upon us how Hajj represents the commitment and journey of a lifetime.