Step 7 of 7

Who are these women?

There is still one important question left: who are these women? The fragments are perhaps linked to comparable fragments found on the other side of the palace, which were probably part of a processional scene. The high quality of the painting and materials would also support this hypothesis. A processional theme was also a widespread phenomenon in Minoan and Mycenaean palaces.For this hypothesis, see Cameron, M.A.S. (1971). "The Lady in Red: A Complementary Figure to the Ladies in Blue.", Archaeology 24 (1): 43.For the processional theme, see Morgen, L. (2005). "New Discoveries and New Ideas in Aegean Wall Painting.", _ British School at Athens Studies_ 13: 21-23.

Although a processional theme for the fresco is possible, this still leaves us with several options regarding the identity of the women. Are they deities, priestesses, or court women? All of these possibilities have been suggested, but without the original context it is hard to tell.

The dresses of the women are similar to the court dresses from other scenes, but little has survived of the original dresses on the fresco. Besides,the dresses of Minoan goddesses and priestesses are not that different.For this hypothesis, see Cameron, M.A.S. (1971). "The Lady in Red: A Complementary Figure to the Ladies in Blue.", Archaeology 24 (1): 43.One possible argument against the women being goddesses, is the fact that the women are drawn identically (or at least that is what the restorer made of the fragments). It is unlikely that they are three identical goddesses, but it is not impossible.Morgen, L. (2005). "New Discoveries and New Ideas in Aegean Wall Painting.", _ British School at Athens Studies_ 13: 28.

Since deities, priestesses and court women are all likely to take part in a processional scene, there is no clear answer for us today, so we have to use our imagination. Perhaps they were high-ranking women walking in a procession to present offerings, such as their jewelry, to a deity. Or, if we look at the positions of their arms and hands, they could have been dancers within a procession.Morgen, L. (2005). "New Discoveries and New Ideas in Aegean Wall Painting.", _ British School at Athens Studies_ 13: 28. What do you think? Who are these women?

In a way, these ladies in blue will always remain a mystery. But we still can learn a lot about the process of making and restoring a fresco, the Minoan palatial world, and the continuity with the Mycenaean palaces by starting with just one beautiful tiny fresco fragment from Knossos.