A long history of cloth trade

  • Swahili Kanga from Kenya

The kanga emerged from the century-long practice of Swahili-Indian Ocean trade (see map), during which cloth was widely requested by East African customers.

For a long time, indigo-dyed cloth and natural, white cloth from India were common dress among East African women. But preferences and fashion changed, and women started demanding colorful, patterned cloth. In the mid-19th century, new printing techniques were invented in Europe, as were synthetic dyes. As a result, the price of such printed cloths dropped significantly, which made them widely available and affordable for East African women. MacKenzie Moon Ryan, “Converging Trades and New Technologies: The Emergence of Kanga Textiles on the Swahili Coast in the Late Nineteenth Century", in Textile Trades, Consumer Cultures, and the Material Worlds of the Indian Ocean: An Ocean of Cloth, ed. Pedro Machado, Sarah Fee, and Gwyn Campbell (Cham: Palgrave Macmillan, 2018), 259-262

At first, small printed cotton handkerchiefs, called leso, were brought into the region by the Portuguese. The interest for those cloths increased rapidly and shortly after, women began to sew several of the small cloths together to create a large wrapping cloth to wear around the body (Figure 7). As a response, European producers began to print and export such large, rectangular cloths - the kanga was born. MacKenzie Moon Ryan, “Converging Trades and New Technologies: The Emergence of Kanga Textiles on the Swahili Coast in the Late Nineteenth Century,” in Textile Trades, Consumer Cultures, and the Material Worlds of the Indian Ocean: An Ocean of Cloth, ed. Pedro Machado, Sarah Fee, and Gwyn Campbell (Cham: Palgrave Macmillan, 2018), 266-269

  • Fig. 6. Swahili servants in Zanzibar wearing kangas - Compliments of Zanzibar National Archive - [AV 31.32] (https://www.astate.edu/a/museum/exhibits/wearing-what-cannot-be-spoken/index.dot)

    Fig. 6. Swahili servants in Zanzibar wearing kangas - Compliments of Zanzibar National Archive - [AV 31.32] (https://www.astate.edu/a/museum/exhibits/wearing-what-cannot-be-spoken/index.dot)

  • Fig 7- Woman wearing a cloth made of several small leso cloths - Compliments of Zanzibar National Archive - [AV 16.13] (https-::www.astate.edu:a:museum:exhibits:wearing-what-cannot-be-spoken:index.dot)

    Fig 7- Woman wearing a cloth made of several small leso cloths - Compliments of Zanzibar National Archive - [AV 16.13] (https-::www.astate.edu:a:museum:exhibits:wearing-what-cannot-be-spoken:index.dot)

  • Fig 8: Young Swahili woman wearing a dotted wrapping cloth and head wrap - Coutinho Brothers, Zanzibar 1900 - [On Afrosartorialism](https://afrosartorialism.wordpress.com/2015/04/25/the-kanga-modernity-conspicuous-consumption-and-cultural-translation-in-colonial-zanzibari-fashion/)

    Fig 8: Young Swahili woman wearing a dotted wrapping cloth and head wrap - Coutinho Brothers, Zanzibar 1900 - On Afrosartorialism

  • Fig 9: Four girls from Kenya wearing differently patterned kangas - Anderson & Mayer 1920 - [On Afrosartorialism](https://afrosartorialism.wordpress.com/2015/04/25/the-kanga-modernity-conspicuous-consumption-and-cultural-translation-in-colonial-zanzibari-fashion/)

    Fig 9: Four girls from Kenya wearing differently patterned kangas - Anderson & Mayer 1920 - On Afrosartorialism

  • Fig 10: Map of the Swahili - Indian Ocean trade - [On Afrosartorialism](https://afrosartorialism.wordpress.com/2015/04/25/the-kanga-modernity-conspicuous-consumption-and-cultural-translation-in-colonial-zanzibari-fashion/).

    Fig 10: Map of the Swahili - Indian Ocean trade - On Afrosartorialism.